
‘the morning show’ reveals how #metoo and sexual misconduct affect work relationships
- Select a language for the TTS:
- UK English Female
- UK English Male
- US English Female
- US English Male
- Australian Female
- Australian Male
- Language selected: (auto detect) - EN
Play all audios:
There are multiple sides to every story. Such is the position Apple TV+’s new series _The Morning Show_ takes on the #MeToo movement. Steve Carell and Jennifer Aniston, in leading roles, are
nominated for 2020 Emmy awards for outstanding lead actor and lead actress in a drama series. The show candidly examines the sexual inequalities, power imbalances and predatory culture that
have branded the showbiz industry in recent years. _The Morning Show_, which debuted last fall, is slated for a second season sometime this year (precise timelines are unclear due to
coronavirus delays). The particular similarities between the series’s co-anchor Mitch Kessler (Carell) and NBC’s former _Today_ show co-host Matt Lauer are conspicuous, despite the show’s
executive producer saying the series isn’t based on him. Like Mitch, Lauer shared his morning news show with a female co-anchor, had a hidden button under his desk (for closing his office
door) and his sudden dismissal for allegations of sexual misconduct was announced live by his distraught co-host. Aside from this noticeable parallel, the series has attracted particular
attention for its complex, daring and somewhat unconventional representation of the #MeToo movement. CONTENTIOUS CONVERSATIONS It’s a truism that television “has always been a delivery
system for morality.” _The Morning Show_ continues this important legacy in generating meaningful and sometimes contentious conversations about the abuse of power in a toxically patriarchal
workplace environment. But it’s often through fictionalized accounts of non-fictional stories that uncomfortable truths are revealed. As film scholar Peter Lehman observes, screen narrative
offers one of the most available fields of discourse “to have a conversation about sexual topics that [people] would not otherwise have.” And this is exactly what _The Morning Show_ does.
With its bold and unapologetic approach to sexual misconduct, the series facilitates discussion about the complexities of lives devastated by such offences. IMPACT ON RELATIONSHIPS Unlike
the 2019 film _Bombshell_, which justly focuses on the victims of the sexual transgressions committed at Fox News, _The Morning Show_ takes the perspective that there are many messy,
pervasive impacts of sexual misconduct and abuses of power. The new series examines various sides of these issues with an emotional range that represents not only the victims and their
assailants, but also the residual impact they have on families, colleagues and friends. The drama also proffers critical insights into the less noticeable resonances of what’s come to light
with #MeToo, such as how women come to grips with behaviour perpetrated by men they admire. How they should react? What might it mean for their relationships, both personally and
professionally? In these ways, the series may be seen as part of an emerging body of women-created commentary from literature to drama showing the complexity of #MeToo. As journalist Jill
Serjeant notes, _The Morning Show_ is one of many shows exploring “the nuances of sexual misconduct” where men are not “portrayed as monsters and women are more than traumatized victims.”
UGLY, MESSY TRUTHS With startling honesty, _The Morning Show_ opens with Alex Levy (Jennifer Aniston) condemning her co-anchor Mitch’s “predatory behaviour” though admitting she’ll “miss the
_person_” she sat next to for fifteen years. The series has provoked criticism for articulating unpopular viewpoints. It has been accused of recoiling from a more politically correct agenda
in its “oven-mitt handling of #MeToo,” appropriating it “for relevance rather than examining it.” This is a missed recognition of the series’s broader standpoint. In depicting the ugly and
messy truths, _The Morning Show_ reveals why so much abuse has been tolerated and concealed: bystanders may be reluctant to look too closely at clues that suggest abuse or to support
victims, and victims may worry about both personal and professional ramifications if or when they try to expose their abusers. _The Morning Show_ is one of the most recent in a long line of
socio-cultural onscreen and literary commentary engaging with notions of affability, integrity and truth. The show’s themes reveal that abusers may be shielded not only by the ways their
power is entwined with other people’s careers and trajectories, but precisely because they may be likeable, charming and admired. But do these qualities point to their humanity or our
fascination with or vulnerability to power and charisma, or both? These are some of the complex lenses through which _The Morning Show_ addresses #MeToo. Director Mimi Leder says the series
“isn’t taking sides”: the aggressors “pretty much get what they deserve … but then there’s the flip side: They _are_ human beings; they _are_ people. So I think that’s a really interesting
question to present to an audience.” Interesting, yes, but controversial, absolutely. _The Morning Show_ also illuminates the difficult or negative consequences #MeToo has had on women not
involved in allegations or claims of sexual misconduct, and the nervousness of men who worry their consensual relationship(s) could be misconceived as exploitative. PERMANENT CULTURAL
CHANGE? In an early episode, Yanko (Nester Carbonell) worries about his relationship with younger girlfriend Claire (Bel Powley), a 20-something production assistant. “Did I do those things
to you? … Like what Mitch did, did I do that to you?” he asks. Claire’s response sends the message that his clumsy questioning undermines her agency: “You think because you’re older than me
and technically my superior at work I can’t have decided to fuck you without being taken advantage of. What — just because you’re the big powerful weatherman I lose all agency in my sexual
choices?” The scene shows how bringing questions about power and consent into workplace relationships can have the unintentional impact of marginalizing the question of personal agency. It
also may raise the uncomfortable and challenging question of how understandings of consent may change over time. In reflecting on the nature of his relationship with Claire, Yanko instigates
an important dialogue in the #MeToo conversation around male behaviour and choices, the role of power and women’s agency and consent. _The Morning Show_ hammers home that #MeToo is at an
important juncture. While women have been empowered to come forward and identify their abusers, there are unintended repercussions that continue to pose questions about women’s agency and
men’s intentions. Now that Harvey Weinstein, the man who to many represents the #MeToo uprising, is in prison serving a 23-year sentence for rape and sexual assault, it’s imperative that the
#MeToo movement doesn’t lose momentum. With broader and deeper conversations, let’s hope it pushes forward for permanent political, legislative and cultural change.