It's already a notable year - Los Angeles Times

The Year’s Best (So Far) POP White Stripes “Get Behind Me Satan” (Third Man/V2) Two brilliant works -- the first a folk-flavored look at the intimacies of life that’s as penetrating as Joni

Mitchell in the ‘70s; the second a set of rock-based tales of innocence and betrayal so bold and imaginative that it defies you to guess what is coming next. (Robert Hilburn) Bright Eyes

“I’m Wide Awake, It’s Morning” (Saddle Creek) “I feel too restless to unwind” Conor Oberst sings in “We Are Nowhere, and It’s Now,” and it’s a fine description of an album that wrestles

vigorously with questions of personal morality and a generation’s future. Oberst has been called a new Dylan, but Emmylou Harris’ presence on three songs suggests that he’s at least a new

Gram Parsons. (Richard Cromelin) LATIN Vico C “Desahogo” (EMI Latin) The new rage in Latin music may be reggaeton, the materialistic, monotonous club sound from Puerto Rico, but this island

rapper keeps it real in an album whose title means “release.” A scorching record with an interesting range of styles, it draws strength from the artist’s deep emotions and his

fire-and-brimstone social messages. (Agustin Gurza) JAZZ Joshua Redman Elastic Band “Momentum” (Nonesuch) The quest to contemporize jazz has been one of the most fascinating developments of

the last decade, though it’s more often failed than succeeded. But Redman has done it right in “Momentum,” mixing live music with studio-enhanced additions while remaining firmly in contact

with the spirit of jazz. (Don Heckman) WORLD MUSIC Various artists “Vedic Path” (Palm World Voices) The world music CD bins overflow with compilations, many of them fascinating. But Chris

Blackwell’s Palm World Voices partnership with Universal is setting a new standard for exploring the globe’s musical cornucopia via CD/DVD packages. This first release explores the

mesmerizing sights and sounds of India. (D.H.) * Best Overlooked Album POP The Kills “No Wow” (Rough Trade/RCA) “If I’m so evil, why are you satisfied?,” Alison Mosshart (a.k.a. VV) sings in

a gloriously haunting track on this gem of an album. The London duo captures obsessive relationships with a fearlessness and craft that put them at the intersection between the Velvet

Underground and the Jesus and Mary Chain. (R.H.) Eels “Blinking Lights and Other Revelations” (Vagrant) Eels ringleader Mark Oliver Everett has walked on these coals of abuse, loss and

despair before, most memorably in 1998’s “Electro-Shock Blues.” But he’s never before traced the trajectory of transcendence with the meticulous detail and shaded gradations afforded by the

expanded canvas of these two CDs. (R.C.) LATIN Pupy y Los Que Son Son “Mi Timba Cerra” (Egrem) Pupy is pianist-composer Cesar Pedroso, co-founder of Cuba’s premier dance band Los Van Van.

After a bitter split, he formed Los Que Son Son, now considered Havana’s hottest timba band. But his exciting, driving salsa is known mostly to die-hard aficionados in the U.S. Too bad.

(A.G.) JAZZ Ted Nash & Odeon “La Espada de la Noche” (Palmetto) The saxophonist’s Odeon ensemble, with its unusual instrumentation of woodwinds, violin, accordion, drums, tuba and

trombone, is an imaginative leap forward. Nash further enhances its potential with a program that ranges inventively from tango to the music of Ornette Coleman. (D.H.) WORLD MUSIC Fanfare

Ciocarlia “Gili Garabdi” (Asphalt Tango) The world-music stage is filled with so many recordings from Africa, Ireland and the Spanish/Portuguese-speaking countries that Eastern Europe

sometimes is left in the lurch. But this brass band, with its remarkably fast-fingered numbers, its subversive, jazz-like qualities and its sheer exuberance, is one that could turn the tide.

(D.H.) * Most Anticipated Album POP Kanye West “Late Registration” (Roc-A-Fella) The news that last year’s hottest newcomer was reaching beyond hip-hop to work with visionary L.A.

songwriter-producer Jon Brion probably alarmed some West fans, but it only makes me more excited about the follow-up to “The College Dropout.” Due Aug. 16 (R.H.). Ray Davies untitled (V2)

The master songwriter of British rock started crafting great music four decades ago with the Kinks, but this will be his first formal studio album of new material away from the band. And it

comes when his influence is being felt strongly in the new brigade of British bands. Due Sept. 6 (R.C.). LATIN Natalia Lafourcade “Casa” (Sony BMG) This quirky singer-songwriter, one of

Mexico’s freshest new talents, made waves in the alt-Latino world with her 2003 self-titled debut, an album that was sophisticated beyond her 17 years. Her sophomore effort is expected in

July with a new producer, Meme of Cafe Tacuba -- a collaboration that is creating a buzz. (A.G.) JAZZ Tim Ries “The Rolling Stones Project” (Concord) Ries played saxophone and keyboards on

the last two Rolling Stones tours, but can he really blend jazz artists such as John Scofield, Bill Frisell and Luciana Souza with pop acts such as Sheryl Crow and Norah Jones, plus the

Stones’ Charlie Watts, Ron Wood and Keith Richards? Stay tuned. Due Aug. 9. (D.H.) WORLD MUSIC Baaba Maal “Baaba Maal” (Palm World Voices) This will be the first entry in this promising new

series to concentrate on a single artist. Unlike the compilation sounds and sights of “Vedic Path” and “Africa,” this CD/DVD package will include documentary images as well as live and

recorded music -- a multimedia take on the Senegalese singer in the context of his African heritage. Due in August. (D.H.) * Most Disappointing Album POP Moby “Hotel” (V2) Given the hours

musicians spend in hotel rooms, it’s surprising that more don’t succumb to the temptation of writing concept albums about them. Moby finally bites the bait with a two-disc package that’s so

plain that you find yourself looking forward to checkout time. (R.H.) Weezer “Make Believe” (Geffen) Rivers Cuomo’s deadpan delivery can animate a wry or ironic lyric, but it’s deadly with

sincerity, which is his unfortunate stance here. And you don’t have to be a fan of Afroman to feel lectured at during “We Are All on Drugs.” Thus fades the promise of “Beverly Hills.” (R.C.)

LATIN Jorge Moreno “El Segundo” (More Music) The sophomore jinx hit this Miami-based singer-songwriter hard. His 2001 debut on Maverick Musica, Madonna’s Latin label, was a revelation and

earned him a Latin Grammy as best new artist. Now the label’s gone, and so is the Moreno magic. “Segundo” is half Spanish, half English and all forgettable. (A.G.) JAZZ Diane Schuur With the

Caribbean Jazz Project Featuring Dave Samuels “Schuur Fire” (Concord) It seems like a good idea, at least at first glance: Soften Schuur’s sometimes edgy voice with the tropical sounds of

the Caribbean Jazz Project, and try to revive the not recently heard promise of her early years. What emerges instead is a pair of side-by-side rather than tandem performances, usually

lacking meaningful interaction. (D.H.) WORLD MUSIC Bebel Gilberto “Bebel Gilberto Remixed” (Six Degrees) The singer’s “Bebel Gilberto” album did so many things right that it’s hard to

understand why anyone would want to mess around with it. Unfortunately, that’s pretty much what’s been done here. Despite the presence of some high-visibility producers -- or perhaps because

of that -- the resulting tracks too often position Gilberto as an accessory to their remixes. (D.H.) MORE TO READ