Ryue nishizawa: teshima art museum

‘TESHIMA ART MUSEUM‘ BY TOKYO-BASED ARCHITECT RYUE NISHIZAWA AND JAPANESE ARTIST REI NAITO RECENTLY WELCOMED VISITORS OF THE 2010 SETOUCHI INTERNATIONAL ART FESTIVAL HELD ON SEVEN ISLANDS IN

THE TAKAMATSU PORT AREA, JAPAN. hugging a hilly site on the island of teshima, the museum resembles a droplet of water caught in the middle of gliding across the land. exterior view | image

© iwan baan | see more images at domus main image © noboru morikawa photos OVERLOOKING THE INLAND SEA TO THE NORTH, THE COLLABORATIVE PROJECT WAS DESIGNED TO INTERACT WITH ITS WOODED

SURROUNDING, PUSHING THE TANGIBLE BOUNDARY BETWEEN ARCHITECTURE AND NATURE. two large elliptical openings define and orient the space while letting the interior collect pieces of the

elements: pools of water accumulate on the floor and freely shift and migrate according to the breeze’s direction; the sounds from the sea and foliage reverberate through the open space

while the ambiance is in constant change according to the sun’s position and time of day. collected rain water inside the museum image courtesy lllabo AT 25 CM THICK, THE WHITE CONCRETE POD

SHELL IS DEVOID OF ANY PILLARS OR VISIBLE STRUCTURAL AID. the gallery space is not a result of encapsulation but a careful negotiation between the earth and the sky. visitors are encouraged

to freely walk around the 40 by 60 meter museum and connect with the present phenomena. looking in to the interior | image © iwan baan | see more images at domus large cut-out photo © noboru

morikawa photos image courtesy office of ryue nishizawa photo © noboru morikawa photos a part of rei naito’s work entitled ‘matrix’ photo © noboru morikawa photos photo © noboru morikawa

photos A MEANDERING PATH AROUND THE SITE TAKE VISITORS AROUND MT. MYOJIN, A SMALL BLUFF BETWEEN THE MUSEUM AND THE SEA. the form and presence of the structure seemingly fluctuates with the

observer’s vantage point, much like a dynamic drop of water traveling across a surface. outside promenade | image © iwan baan | see more images at domus art museum in context image courtesy

prkbkr image courtesy prkbkr image courtesy office of ryue nishizawa MADE POSSIBLE BY THE PATRONAGE OF THE NAOSHIMA FUKUTAKE ART MUSEUM FOUNDATION, THE TESHIMA ART MUSEUM WILL CONTINUE TO

OPERATE AFTER THE FESTIVAL, HOSTING ACTIVITIES INVOLVING ART, ARCHITECTURE, FOOD, THE ENVIRONMENT, AND OTHER CREATIVE INTERSECTIONS. the museum adjacent to the nearby rice terraces photo ©

noboru morikawa photos [embedded content] video on the construction of the museum site plan image courtesy office of ryue nishizawa contextual site plan image courtesy naoshima fukutake art

museum foundation plan image courtesy office of ryue nishizawa sections image courtesy office of ryue nishizawa a model of the teshima art museum as seen at the 2010 venice architecture

biennale images © designboom image © designboom image © designboom ABOUT RYUE NISHIZAWA: born in 1966, nishizawa joined kazuyo sejima & associates in 1990, established SANAA with her in

1995, and established his own practice in 1997. along with sejima, he was awarded the pritzker architecture prize in 2010. significant works include, ‘honmura lounge and archive’ (2005,

naoshima), ‘moriyama house’ (2005, tokyo), and the ‘towada art center’ (2008, aomori). ABOUT REI NAITO: born in hiroshima in 1961, naito’s major exhibitions and projects include ‘being

given’ (2001, kinza, art house project, benesse art site naoshima), ‘un luogo sulla terra’ (1997, japanese pavilion, 47th venice biennale), ‘tout anial est dans le monde comme de l’eau a

interieur de l’eau’ (2009, museum of modern art, kamakura). — be sure to check out raymund ryan’s coverage of the museum for domus , with the always stunning photographs by iwan baan, by

clicking here.