Don Francisco, Star of TV's Longest-Running Variety Show, Looks Back and Ahead

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150,000 Interviews and 100,000 Contestants Later: Sábado Gigante is calling it a wrap. After more than 53 years and more than 2,800 episodes, host Don Francisco is saying goodbye — for now.

En español |The world's longest-running TV variety show is calling it a wrap. After more than 53 years, 30 of them in the United States, and more than 2,800 episodes of Sábado Gigante

(Gigantic Saturday in English), host Don Francisco will bid farewell to millions of viewers Sept. 19. The Chilean's 74-year-old offstage self, Mario Kreutzberger, talked to AARP En Espanol

about guests on the show, his long-postponed hobbies and what's next for him.

Did you ever imagine that this show, launched from a garage at the Universidad Católica in Chile, would end up being the longest-running program on TV?

Never in my life did I imagine that. But my desire to get ahead never wavered. I never woke up angry, never upset that I had to go to work. Even today, I'm always happy heading to tape

Sábado Gigante's next show. I think we've created a program that speaks highly of our community.

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Of current Hispanic television hosts, who do you think has what it takes to become the next Don Francisco?

It would be unfair to name anyone, because there's never going to be a new Don Francisco or a new Johnny Carson or a new David Letterman. Everyone is an individual, with individual abilities

that they develop. No two people are identical.

Your show launched artists such as Enrique Iglesias, Ricky Martin, Selena, Chayanne, Gloria Trevi and Jenni Rivera. Do you remember some more than others?

Yes, several. When Shakira first appeared, [I remember] a young woman with a very distinctive personality, her hair, even her figure was distinctive. I also remember Enrique Iglesias' nerves

the first time he was on. I remember Juanes' debut. I remember so many more I could name.

Let me tell you about an interview that probably didn't mean much to most viewers, but it did to me. Thirty-three years ago, it showed me the path I was meant to follow, a new path in the

United States. I interviewed a young man who I was going to reunite with his mother after 28 years. She had abandoned him when he was 1. The problem was that he only spoke English and she

only spoke Spanish. I brought them together and they hugged, but I was most moved by the one word he kept saying to her and that she didn't understand: "Why? Why?" That's the moment I became

aware of my calling: To unite a community through language and to bring up issues in this community that I wasn't even aware existed.

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I have unfinished business, but I will do whatever it takes to make it happen: I want to interview Pope Francis. That has been one of my major goals and I hope I will achieve it.

You never enter and leave through the same door, you always carry a sliver of wood in your wedding ring, and there are colors that you will never wear. Why are you so superstitious?

Honestly, I don't know how I became so superstitious. There's a fine line between success and failure in front of an audience. Often you think a little piece of wood, a color or entering

from a specific side produced some success. You tell yourself, "I want to keep having this success." Maybe you come in through the other side and the success isn't as big. You never admit

that you might have failed for other reasons. It's difficult to explain failure to yourself.

You've said that your biggest professional achievement has been the Teletón, the fundraiser for disabled children that now takes place in 14 countries. How does it feel to have helped so

many people?

It gives me, and all of us who have worked to provide an opportunity for rehabilitation, great satisfaction. The Teletón gave me a way to climb out of my depression. [Until then], I felt

like I hadn't given back to the audience what they had given to me.

Don Francisco and Mario Kreutzberger create one whole person. But in life, Don Francisco is out in front because he's the public persona, the one who doesn't sweat, doesn't have to pay

bills, doesn't argue with his wife, doesn't have health problems. Behind him is Mario Kreutzberger, motivating Don Francisco to keep working, to stand out, to advance. But Mario Kreutzberger

is affected by time and the years that go by, while Don Francisco stays unchanged. So Mario Kreutzberger has to make double, triple, quadruple the effort. At the end, you never know how

this story ends, but the persona almost always devours the person.

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What is the first thing you plan to do on Sept. 19, after you turn off the studio lights?

I've actually asked myself that many times. I have no idea what I'm going to do when that light goes out. I don't know if I'll be able to turn on many other lights. To stop working would be

like losing my soul, and I don't plan to do that.

I used to fish as a hobby, and I'll probably go back to it. I'd given it up because I didn't have time for it. [So], mainly that and traveling. I don't have a boat right now, but I might get

a small one. I really like sailing, but also going on road trips in the U.S., in Latin America, anywhere.

I've had a big dream for the last 15 years that I've never been able to accomplish. I've always thought that television and all media are directed mostly to audiences between the ages of 18

and 34, or 18 and 49. Today, people live longer, much longer. And I've thought about developing some type of programming, supported by all the digital media that exist, on a channel directed

to people 50 and older. I haven't achieved it yet, but you can never let yourself give up. Maybe this is my opportunity.

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